Encanto – Unity

We come to the conclusion of the Encanto Series and can finally answer the most pressing question of the movie, “What is Mirabel’s gift?” Being that this is a Catholic blog and is the lens through which I try to view the world, my take on Mirabel’s gift comes from a Christocentric place.

There are a few names you could give to Mirabel’s gift once the film is finished. She helps to heal the wounded relationships between the family members, making her a Healer. She also is unafraid to speak truth to Abuela about the harmful pressure she has put on the family, making her a Truth Teller or in Biblical terms, a Prophet. It is Mirabel who places the doorknob on the rebuilt Casita, bringing it back to life, making her a Life Giver.

I would like to take all of these facets of Mirabel’s gift and bring them under one theme – Unity. I’ve been learning more about unity lately and it seems Mirabel was tapped into it in a special way. It is Mirabel who has a heightened sense of the disunity happening within the Casa Madrigal. She sees it first in the cracks forming on the walls and then within the family itself – there’s the Bruno ban, Luisa’s insecurity, Isabela’s sacrifice, Pepa’s anxiety, etc.

Our first indication that Mirabel has a heightened sensitivity to familial relationships comes in her conversations with Antonio before he receives his gift. You would expect a 5 year old to turn to his mom, dad, or perhaps an older sibling with his fears about receiving his gift. But he looks to Mirabel instead and she’s the one he needs by his side when he approaches the door. The movie does a good job showing how painful this moment is for Mirabel as it brings into sharp relief everything that went wrong for her. Instead of refusing to participate, she places Antonio before herself and is there to support him in a way no one else is.

Mirabel seems to have a unique relationship with Luisa as well. Again, Mirabel is the one confided in when Luisa feels her power fading. Luisa’s admission is something she would never have said aloud to anyone else. With Mirabel, she can be her true self.

When she finds Bruno, she draws him out of hiding and back into the family. He is reluctant at first but is encouraged by Mirabel’s strength and perseverance to set things right. After learning about Bruno’s vision, she sets out to find a way to embrace Isabela. I think it’s interesting to note than while Mirabel is able to see the cracks and problems in the Casita, she isn’t able to affect any changes until she first fixes her relationship with Isabela.

What does all of this have to do with unity? As I mentioned, I’ve been spending more time pondering what unity looks like. Specifically, I’ve been beginning to dig deeper into the Focolare Spirituality, of which the reality of unity is central.

Chiara Lubich, the founder of the movement, discovered the desire for unity in Jesus’ final prayer in John 17:21 – “May they all be one.” She was inspired by the Holy Spirit to make Jesus’ prayer a living reality. She strove to make herself one with everyone she encountered. How, you may ask? Chiara understood that if God is Love, and in God we find our true selves, then we need to strive to live every action in that Love. Chiara explains:

Christ is love and a Christian must be love. Live generates communion: communion as the basis of the Christian life and as its summit. In this communion a person no longer goes to goes alone, but travels in company. This is a fact of incomparable beauty that makes our soul repeat the words of Scripture, ‘How very good and pleasant it is when kindred lives together in unity!’ (Ps 133:1)”

Chiara Lubich, No Thorn Without a Rose, pg. 33.

How beautiful! I find this really describes the reality Mirabel brings to life in her family. When we strive to love someone as God loves them, we seek what is best for them. We speaks truth to them, even when it is difficult to say or hear. We desire for them to be whole, to help repair what is broken, to encourage the full flourishing of their lives. There isn’t room for pressure to perform or for unrealistic expectations. When we love as God loves, when we allow ourselves to be transformed in love by Love, communion between people springs forth.


I do hope you’ve enjoyed this series on Encanto. It has brought about fruitful conversations in my own life and I hope in yours as well. Looking forward, I truly do feel myself being drawn more closely to the Focolare movement and am feeling inspired to continue sharing more about the journey with you here. I’m planning to do another series, perhaps starting in mid-to-end of June, which will go through what the Focolare call the Aspects of the movement, or more colloquially, the Colors. It is how the movement practically comes alive in an individual’s life. I’ll be sharing how I’m seeing these colors shimmer in my own daily ordinary.

I’d love to hear what you thought of the series and if you like this more scheduled approach to things. I’m curious! Peace my friend, May your summer be full of sunshine and peace.

Encanto – Acceptance

If you’ve seen Encanto, then I’m sorry to do this to you, but “We don’t talk about Bruno no, no, no. We don’t talk about Brunnno!” If you haven’t seen the movie, then you aren’t currently participating in the sing a-long that just started with one of the movie’s more popular songs (here’s a link to the clip if you’re interested in joining us.)

Bruno, Mirabel’s mysterious uncle, was given the gift of foresight. He can go into a trance-like state and could see the future. Based on the aforementioned song, it seems like people treated Bruno as a local fortune teller. The villagers complain that Bruno told them their fish would die, they would grow a gut someday or lose their hair. These things do, in fact, come to pass. We’ve already discussed how Bruno informed Isabela she would have “the life of her dreams,” and how it sounded great but in reality was detrimental to her overall well-being. Bruno was truthful with all of his predictions. Unfortunately, sometimes people mistook normal speech for predictions. We hear about this during the song about Bruno.

Tia Pepa (the aunt who can control the weather), was getting married. She was, understandably, nervous and anxious on the big day. Bruno tried to joke with her that it looked like rain. Pepa took that to be some kind of prediction and loses her cool, bringing on a hurricane of rain and wind. We find out at the end of the movie that Bruno wasn’t making a prediction or telling the future, he was simply trying to help his sister express her emotions instead of bottling them all up inside. With this in mind, it could very well be that the things the villagers took for predictions were also simply observations that Bruno awkwardly made.

After Mirabel did not receive a traditional gift, Abuela asked Bruno to look into Mirabel’s future. He did and discovered a confusing scene. On the vision tablet, Mirabel was standing in front of the Casita, the family’s house. It was a little like those cards where if you tip it to the right, you see one picture. To the left, the light changes, revealing a different picture. In one view, the Casita is cracking and crumbling. But in the other, it’s whole. Bruno knows that Abuela will focus on the negative possibility due to her preoccupation with maintaining a facade of perfection and order about the family. Rather than risking Mirabel becoming an outsider as he feels he is becoming, Bruno destroys the vision tablet and leaves the Encanto.

Or does he? Bruno only wants to love and help his family. He finds himself unable to leave, and the Casita makes it easy for him to stay by providing an in-between the walls space for him to live. Once Bruno “leaves,” his name becomes taboo. Abuela will not allow it spoken and, as the song explains, “We don’t talk about Bruno.” Except then everyone goes on an sings an entire song about him! Clearly, there are unresolved issues about Bruno.

I’m sure it’s pretty obvious, but not talking about someone or something is usually not a healthy response to a situation. No family, no individual is perfect. We don’t always fit perfectly together but we would be incomplete if someone suddenly vanished. Families who have lost loved ones know what this feels like. New patterns of togetherness are slowly and often painfully formed. In the case of the Madrigal family, these new patterns of togetherness were not really created because they couldn’t talk about their feelings openly with one another. Luisa tells Mirabel that she overheard the adults whispering about Bruno. Camillo, Mirabel’s cousin, has a very skewed view of who his uncle was, claiming he was 7 feet tall when he’s actually the shortest of the triplets.

As we draw closer to the Feast of the Ascension, we find the Church preparing for a separation. After Jesus’ resurrection, he remained on the earth for 40 more days. He then ascended up to heaven to sit at the Father’s right hand. Jesus is leaving, but He’s not actually going. If you stretch the analogy and squint a little, Bruno does a similar thing. Jesus, in His infinite love for humanity, sends His Spirit to remain with us as well as provides us with a way to intimately experience His presence in the Eucharist. Bruno remains in the Casita, patching the cracks as best he is able and offering what help he can from between the walls.

The difference between those left behind is in the conversations they had. The Madrigal family talks about Bruno in whispers, side glances and assumptions. The disciples tell everyone they can who Jesus is and why He changed their lives. I know these two situations are not at all comparable, but the fruits are worth looking at. By suppressing conversations about Bruno, the family reaped negativity, fractured relationships and inaccurate assumptions about one another. The disciples, on the other hand, grew in their love for one another, for Jesus, and for those who came to encounter their message.

When we are having a problem with someone, it’s always better to talk about it. When we aren’t sure what happened in a situation, it’s always better to seek out those there and discover the truth of the matter. Our gift of language and communication is one of the most important tools we have to build our communities, large and small. Language only works if we use it well. Are there relationships in your life that could use some greater openness? Are you trying to discover new ways forward after a loss? Talk to those around you. Talk about what makes you happy, what makes you sad, how you like to communicate. Listen to the other person share about themselves. Don’t let issues important to you both go unspoken or unresolved. It may not happen overnight, in fact it probably won’t. Relationships take time and work. But both the Madrigal family and the disciples know that the community you nurture will be worth it.

Daily Graces. kktaliaferro.wordpress.com

Encanto – Being Enough

This week we are going to step back from Isabela and spend time with the eldest Madrigal sister, Luisa. Luisa’s gift is strength. I wish I could have been in the room when the idea of a donkey valet service was floated and accepted. Yes, Luisa is super strong and one of her many, many duties is to “park” everyone’s donkey as they come to Antonio’s gift celebration.

Luisa is everywhere. She seems to have an uncanny ability to be available to respond to any need or request. Need a piano? Luisa can bring it over. Need your donkey parked? Luisa can get it. Got a bunch of rocks to move, furniture to haul, a house to relocate? Luisa, Luisa, Luisa. She does everything with a smile and doesn’t seem to complain.

Thinking back to Isabela, the mask she wore was one of aloof perfection. Luisa’s is different. She is, to quote Minnie Mouse, a “happy helper.” No frowns, groans, or hesitation. She is ready and able in the here and now.

Again, this facade only goes skin deep. Mirabel goes to Luisa to ask her about the miracle, her gift and their Uncle Bruno. During the course of the conversation and Luisa’s song, we learn a lot about her. The opening lines get me every time:

I’m pretty sure I’m worthless if I can’t be of service

Luisa, Surface Pressure, Encanto

Punch in the gut, isn’t it? Outside looking in, we can easily call out this kind of negative self-talk. Of course Luisa isn’t worthless if she takes a break or chooses to sit down and read a book for an afternoon. But the expectations placed upon her both by others and herself preclude any moment of rest or relaxation.

I don’t know who else needs to hear this today, but it’s something I need most days. I am not able to meet everyone’s needs, and I am not supposed to. I am not superwoman, supermom, super clean, super anything. I am me and me only spreads so far. Should I give freely of my self, act with generosity and kindness, try to offer a smile while doing hard work? A resounding Yes! Do I need to shoulder all of the burdens of others, complete every single task on my list before taking time to eat lunch, and make myself so available I neglect my own basic needs? A resounding No!

You don’t really notice just how much Luisa is taken advantage of until her song. It’s kind of trippy (donkeys make a prominent appearance) but effective. Another line gets me later in the song:

Give it to your sister and never wonder if the same pressure would have pulled you under.

Luisa, Surface Pressure, Encanto

How often do we ask others to do something for us, not because we genuinely need help but because we just don’t want to do it ourselves. Another gut punch, right? Luisa is being asked to handle burdens that were not meant for her to bear. She is then taking on even more, convincing herself that this is her place. She is to be “of service” for anyone who needs her. She doesn’t get a will of her own, she doesn’t have choices. She is able and willing. Period.

I’m not saying that we are doing this to anyone in our lives and I hope no one resonated so strongly with Luisa that you see it happening to you. Clearly this is an extreme, fictional example. But if you do recognize characteristics of Luisa in your relationships, think about that. Seek outside advice or professional help if you aren’t sure how to find a proper balance between expected service and help that is freely given.

It’s not all work and sadness for Luisa. Just like Isabela, Luisa experiences a transformation. First, she feels her power drained and this is what prompts her line about worthlessness. She can’t imagine what it would be to be weak. What other gifts does she have besides her strength? She’s never had to contemplate this before. At the end of the movie, Luisa sings “I may not be as strong but I’m getting wiser.” Just before that moment, she, Isabela and Mirabel all raised a slab of stone together, something Luisa would have done on her own at the start. She is growing in wisdom, relying on others’ strength as well as her own.

When we step back and aren’t a “do it all” person, we provide space for others to share their gifts and share the load of the work. No one is meant to do everything themselves. We see this so clearly in Jesus’ ministry. Did Jesus need apostles? No. Was it good and right for Him to teach them, and then share the ministry of preaching with them? Absolutely. He did so much as to send them out on their own, spreading His words and mission. He continues to empower the Church today.

We believe that God has given each of us many gifts, each meant to help us in our unique mission in life. But the gifts given do not outweigh our personhood. We are a unique individual, made in the image and likeness of God. This is at the core of each person and the reason every person is deserving of respect and dignity. We can help hone, cultivate and celebrate the gifts of others. We must cherish the unrepeatable person bearing them no matter who they are.